saint louie hair, russell place

Saint Louie hair salon is one of a string of tenancies at Nonda Katsalidis’ "Little Hero" development on Russell Place. The development is a rare example of a new build that naturally contributes to the charm of Melbourne’s more established laneway network. Stepping off Bourke st, there's something seductive about Russell Place's quieter voice, more generous sense of time and collection of cosy interiors.

I was surprised to hear that design professionals were absent from the process of Saint Louie's fitout. Instead, the interior design was concocted by the salon’s partners, Jean-Paul and Ivan Constable. Working to a tight frame, the process was a flurry of creative collisions. You’d never know it, since the space hangs together so cohesively. Perhaps that fiery passion allowed the owners to critically sieve out the best ideas, whilst ultimately striving for the same end goal.

Connecting with the salon’s approach to hair, the interior is earthy and natural. A lusciously tactile palette of rendered walls, river rock and raw timber ground the space. Low level lighting strung from above is polite on the eyes. Vintage pieces are scattered throughout, steering the space away from an overly polished aesthetic. The whole space feels rather effortless. 

 It's pretty clear the Saint Louie team's eye for hair translates to an eye for interiors. 

guest post by jenna rowe: ciguë architects

Hello, it's me Jenna. Ella has once again handed me over the keys to her blog while she is off gallivanting in Berlin, Copenhagen and Japan. For those of you who follow her Instagram account; you would have seen some absolutely beautiful photos of her trip so far. Fortunately for us - Ella has her DSLR with her, and from what I have heard so far we are in for a treat when she gets back!

Following on from the lovely Chloë 's post last week which discussed Aesop's unique design approach to each of their stores, today I will be talking about two projects from one of my favourite architecture practice's work - Ciguë Architects. The two retail projects I have selected to share I adore for the refined way in which they have been detailed.

The first Ciguë project I'm sharing with you is Aesop Convent Garden Store in London. I think this project is particularly successful given how the paired back moulded white joinery sits against the forest green tessellated tiles, raw exposed plumbing and planted elements under the window of the store. Also - How. Great. Is. That. Light. Fixture!

The second project [Diane von Furstenberg's New York store] I have actually blogged about over on my little spot on the internet before, however still think is one of my favourite retail fitouts that I have come across. This modular store fitout is constructed of beautifully refined details (there are great 3D exploded axonometric drawings of the display elements on Ciguë's website). Stand outs include the brass legs punching up into the timber joinery elements, and the brass plate folding over and into the timber base elements. 

Thanks Ella for once again having me on your blog - I'm sure I'm speaking for all of your readers when I say I can't wait to see all of your amazing posts from your travels upon your return!

- Jenna 

guest post by chloë antonio: aesop, attention to detail

Hello! I’m Chloë, a graduate architect new to the blogging world, I’m a daily list maker with a serious Pinterest addiction and I am always working on something new. Currently that is my new blog – Lines of Architecture. Through my love of discovering blogs, my frequent Pinterest habits and Instagram stalking, I have made new e-friends, Ella being one of them, which is how I have come to contribute this post to her fabulous blog. Thank you Ella for the opportunity!

Recently Ella wrote about the new direction of PFMM and the importance of being in and experiencing a space with all your senses rather than just being consumed by the images. This is something that resonates with me and, while I still see much value in the image of architecture and design, (as seen by the regular activity on my Pinterest) nothing compares to being within the space and feeling and seeing the qualities - minus the edited lens of the camera. With that in mind, I wanted this post to be about spaces that I, and perhaps you, have been in. While not unveiling anything new or “current” this post might allow you to contemplate your own experiences.

Aēsop is a brand synonymous with design. What makes Aēsop unique is their attention to design and detail on every level. The whole brand has been considered from the typography to the minimalist packaging, to the quality of the staff working in the stores and the continual engagement of quality architects to create new and unique retail spaces all over the world. An interview with the founder Dennis Paphitis expands upon the history and design direction of the brand and is well worth a read. 

The retail stores are each unique, yet unified in their ability to reflect the brand. While often working with architects several times, the stores never end up conforming to a single idea – each responds to the place in which it is located.

Aēsop has recognised the importance of appealing to all the sensory properties in their retail stores. The stores lure you in with their gentle botanical scents, their warmth and soft lighting. And while the interior architecture is very photogenic, the total experience can only be had by stepping into the store yourself.

The Greville Street, Prahran store (2010) by March Studio has two retail facades – one that fronts the eclectic, vibrant Greville Street and one that addresses the laneway of Grattan Gardens. For this reason, the interior is much more light-filled than many of Aēsop’s other stores.

March Studio has designed over 12 stores globally for Aēsop and tends to use a single material in their fit outs; copper, stacked card, ply, cork. The Greville Street store, made entirely from ply, explores variance and texture through an interlocking, repetitive system to create shelves for the range of Aēsop products. The use of a raw, repetitive, uniform material manages to create a space where
the products become the focus while the warm, tonal material recedes. 

On Greville Street the products can be tested with the assistance of very helpful staff in a moulded ply sink. Upon payment, the counter exposes the hidden register, sample drawer and printer. A linen bag is sprayed with a gorgeous botanical scent and then brought around the desk by the staff and handed to you (all of this effort making you feel much better about spending your money!). Very clever. 

The Collins Street store (2012) by Kerstin Thompson Architects is one of more than six by the architect for Aēsop. The inner city location of the store is situated right in the heart of the men’s district. The store-front belongs to the Gentleman’s Athenaeum Club and is surrounded by other men’s retail. An interior fit-out that reflects this masculine identity of the top end of Collins Street is what has been produced. The store is much more hard-lined than Greville Street with mild steel framed cabinets with copper shelves and brass fixtures. 

The images here, from the architects website, were taken at night and lend to a more intimate environment where the fixtures glow in the soft artificial light. However, in the daylight the space is not quite as “romantic” as this (unfortunately no photos were able to be taken) and did not have the same glow. 

The masculine aesthetic is also evident in the product testing area, which is composed of a mild steel sink and vanity, complete with black fittings. Three dark tinted mirrors complete the vanity ensemble that feels like it belongs in the dressing room of a well-to-do gentleman’s home of old. The leather curtains that hide the back of house create a theatrical like space so you feel like you are on the set of a play in said gentleman’s dressing room. This store in particular has a strong integration with its unique place on Collins Street.

Each Aēsop store feels like a calming retreat in comparison to the clinical glare of the typical beauty store. Do you have a favourite Aēsop space?

Thanks for reading my first ever blog post and a big thank you to Ella for inviting me to share this story with you. I think she took a leap of faith, considering we haven’t actually met (yet) - in the real world!

Text, sketch and photographs by Chloë Antonio for Pages from My Moleskine.
[Collins St Interior photos by Trevor Mein via Kerstin Thompson Architects]

when alexander wang meets joseph dirand

In case you missed it, I was on yellowtrace yesterday chatting about the rotating installations at Alexander Wang's Soho store.

While we're on the topic of Master A.Wang, I thought I'd share some pics of his epic 565sqm Shanghai store, designed by Paris architect, Joseph Dirand. I don't know how, but I've never blogged about Joseph Dirand before, despite spending god knows how long perusing his ridiculously killer portfolio.

Consistent with Joseph Dirand's established aesthetic, it is formally very minimal. It's essentially made up of flat planes, mitred rectangular boxes and shadow lines holding elements apart. Despite being pared back formally, materially it's texturally rich and luxurious. It incorporates veined marbles, blackened bronze and glossy bronze mirror. I don't often use the word "glamorous" to describe things I'm interested in (it makes me think of Orange County house wives - and I just ran a search to double check and I haven't used the word once since day dot). Yet Dirand manages to achieve a wonderfully understated glamour that steers safely clear of ostentation.

Spectacularly beautiful, wouldn't you say?

[Images via Joseph Dirand and Superfuture]